Originally posted by Winterun:
Doc,
Great post!!! Those pics are super sharp!!! Are those pics from the Optio, if so res setting? Also, the first two pics were they resized, they are killer pics. Leave it to an eye doc to know all the right camera angles.
Winterun
Yes, that's still my trusty Optio 43WR, and yes, I always shoot at max resolution.... otherwise, what's the point of having a camera with all those megapixels. The main reason I do this is for the occasional glory shot that I want to blow up for a print of 8 x 10 or bigger (BTW I got a great 11 x 14 print of my avatar fish with only 3.4 megapixels worth of data).
The pics I post on this board are only about 0.35 megapixels in size or less.... nice for a computer monitor at 700 x 500 pixels, but only good for a wallet size print.
Most of the guys I fish with have a tendency to take pictures from WAY too far away, using perhaps only 10-25% of the actual picture to capture the real subject at hand. The rest of the 75-90% of the frame is filled with extraneous background/foreground distractions. By using the full resolution capability of the camera when others are taking pics, it allows me to crop out all the useless crap, and still have enough pixels for a decent though somewhat degraded but nonetheless postable pic.
The biggest tip I can offer anybody taking fish pics is
zoom in close. Either use the zoom feature on the camera, or nose yourself CLOSER to the subject. Fill the frame with the good stuff. If the fish itself is the subject, try to fill the frame diagonally, corner to corner. If you just compose the shot in a straight, flat horizontal manner, the fish only occupies a long strip in the middle, and you basically waste the upper and lower one third of the frame. A diagonal composition (like the bright hen king) also gives the illusion of the fish swimming off the page toward the viewer.
If you're feeling extra adventuresome, go for the full frame head-shot... obviously one of my favorites. Nothing shows off the life-force of a great fish better than the glistening sheen, the minute detail, the brilliant color, and the gleam of a down-rolled eye displayed in a classic head-shot. If you really think about it, this shot is invaluable to the taxidermist that may one day be painting that replica of your fish of a lifetime. Make it a good one.
Here's another mistake I see all the time. Too often, the novice photographer is content to keep the frame composed in a horizontal landscape. If the subject is standing and doing the meat-hook pose, taking a horizontal picture that captures the full height of subject will leave you with nothing in the right- and left- one-third of the frame, essentially wasting 65-70% of the pic. I typically crop that portion away to get a more dramatic effect, but then I'm only left with one third of the original data. Much better to just turn the camera 90 degrees in the first place and compose the shot vertically, filling the entire frame with the subject at hand, and having the digi-cam's full mega-pix capability at your disposal if it turns out to be a glory-shot.
Now don't get me wrong... there is a place for the wide-angle shot. If the subject you want to highlight is the beautiful scenery rather than the fish or the angler, then by all means step back and shoot. But if you want to show off a spectacular catch... GET IN CLOSE! Here's what I mean... see how the subject transitions over from scenery to salmon in these four pics: